Post by imnotallenhoskins on Aug 31, 2008 15:18:55 GMT -5
The Beatles first began performing in the late 1950s in jazz clubs in England and West Germany. These clubs, always located in the seediest part of the cities, served as a marketplace for prostitution and the circulation of drugs. Beatle biographer Philip Norman writes: "Their only regular engagement was a strip club. The club owner paid them ten shillings each to strum their guitars while a stripper named Janice grimly shed her clothes before an audience of sailors, guilty businessmen and habitues with raincoat- covered laps.''
The Beatles got their first big break in Germany, in August 1960, when they obtained a booking at a jazz club in Hamburg's notorious Reeperbahn district. Describing the area Norman writes it had, "red-lit windows containing sleepers in every type of fancy dress, all ages from nymphet to granny...Everything was free. Everything was easy. The sex was easy... Here it came after you.''
Far from the picture of innocence, the Beatles, even in their first performances, were always high on a drug called Preludin, "John (Lennon), would be foaming at the mouth, he'd have so many pills inside him...John, began to go berserk on stage, prancing and groveling...The fact that the audience could not understand a word he said, provoked John into cries of `Sieg Heil!' and `f**king Nazis' to which the audience invariably responded by laughing and clapping.''
Off the stage, the Beatles were just as evil. Norman continues, "while in Hamburg, John, each Sunday would stand on the balcony, taunting the churchgoers as they walked to St. Joseph's. He attached a water-filled contraceptive to an effigy of Jesus and hung it out for the churchgoers to see. Once he urinated on the heads of three nuns.''
While in Hamburg, in June of 1962 the Beatles received a telegram from their manager, a homosexual named Brian Epstein, who was back in England. "Congratulations,'' Epstein's message read. "EMI requests a recording session.'' EMI was one of Europe's largest record producers, and their role in promoting the Beatles would be key in the future.
Under the the strict guidance of EMI's recording director George Martin, and Brian Epstein, the Beatles were scrubbed, washed, and their hair styled into the Beatles cut. EMI's Martin created the Beatles in his recording studio.
Martin was a trained classical musician, and had studied the oboe and piano at the London School of Music. The Beatles could neither read music nor play any instrument other than guitar. For Martin, the Beatles musicianship was a bad joke. On their first hit record, "Love Me Do,'' Martin replaced Ringo on the drums with a studio musician. Martin said Ringo, "couldn't do a [drum] roll to save his life.'' From then on, Martin would take the simple little tunes the Beatles would come to him with, and turn them into hit records.
Post by ymymeatemup on Aug 31, 2008 18:11:38 GMT -5
Just to keep the facts straight:
The Beatles didn't play in Germany prior to August 1960. Their experience in jazz clubs was minimal at best. Their experience with the stripper was a brief episode in their story and not their only regular engagement prior to 1960. EMI was actually the world's largest recording company at the time. The reality is a bit more complicated, though, since they owned dozens of record labels, each of which had a certain degree of automony. George Martin had nothing to do with changing the Beatles' image. Epstein had already taken care of that prior to Martin's entry into the story. And the Beatle haircut came into the story prior to Epstein. Drums, piano and harmonica were three instruments the Beatles knew how to play at that time other than the guitar. While Martin's role in the studio was crucial to their success in the early going (and exaggerated in this article), to say that he turned their 'simple little tunes' into hit records 'from then on' would imply that he continued to do this until the breakup. Which is not the case, since they were calling all of the shots by then. Drum rolls generally were not a required skill in pop music circa 1962. Nor was reading notation. While Ringo was indeed replaced by a session drummer on "Love Me Do," which had a very simple drum part, he played on the followup, "Please Please Me," which had a more complicated drum part. Martin was sufficiently impressed to allow Ringo to play on the recordings thereafter.
Post by imnotallenhoskins on Aug 31, 2008 18:43:56 GMT -5
Sid Bernstein observed, “Only Hitler ever duplicated [the Beatles’] power over crowds. … when the Beatles talk—about drugs, the war in Vietnam, religion—millions listen, and this is the new situation in the pop music world” (Time, Sept. 22, 1967, p. 60). Rock critic Vern Stefanic noted that “Lennon was more than a musician” because he promoted “an anti-God theme, and anti-America, pro-revolution stance” (Tulsa World, Dec. 12, 1980, p. 20). The Beatles even pioneered the longhaired look. “. . . the major impulse behind the rock androgyny of the Sixties was, in fact, of foreign origin . . . the Beatles. . . . the haircuts were so revolutionary by Sixties standards that they were viewed as signs of incipient transvestism” (Steven Simels, Gender Chameleons: Androgyny in Rock ‘n’ Roll, pp. 29,30,32). Paul McCartney admitted their role in destroying traditional convention: “There they were in America, all getting house-trained for adulthood with their indisputable principle of life: short hair equals men; long hair equals women. Well, we got rid of that small convention for them. And a few others, too” (Barbara Ehrenreich, “Beatlemania: Girls Just Wanted to Have Fun,” cited by Lisa Lewis, The Adoring Audience: Fan Culture and Popular Media, p. 102).
Post by imnotallenhoskins on Aug 31, 2008 18:45:23 GMT -5
HISTORY OF THE BEATLES. Called the “fab four,” the Beatles were composed of John Lennon (1940-1980), Paul McCartney (1942- ), George Harrison (1943-2001) and Ringo Starr (born Richard Starkey) (1940- ). McCartney and Harrison had Catholic mothers, but their fathers were not religious. Paul McCartney’s father, Jim, considered himself an agnostic. (When Jim McCartney died in 1976, Paul did not even attend the funeral.) Ringo’s mother and father separated when he was very young and later divorced. Ringo’s mother worked as a barmaid at times. Lennon’s mother and father (Fred) had gotten married without her parent’s approval, and Fred left his little family to join the merchant marines when John was very small. John’s mother later lived with another man and had two daughters, though she never divorced Fred. In later life Lennon expressed great hatred for his mother. His father’s second wife, Pauline, testified that the mere mention of her name “triggered a vicious verbal attack on [his mother], whom he reviled in the most obscene language I had ever heard…” (Giuliano, Lennon in America, p. 17). John was raised largely by his mother’s sister, his Aunt Mimi. She sent him to an Anglican Sunday school, where he sang in the choir. By age 11, though, he was permanently barred from Sunday services because he “repeatedly improvised obscene and impious lyrics to the hymns” (Rock Lives, p. 114). Lennon testified that none of his church experiences touched him and that by age 19 he “was cynical about religion and never even considered the goings-on in Christianity.” By 1964, McCartney testified that none of them believed in God and that religion “doesn’t fit into my life.” Their drug experiences changed that, but the “god” they came to believe in was not the God of the Bible. McCartney described his God as “a force we are all a part of.” Lennon said, “We’re all God.”
Post by imnotallenhoskins on Aug 31, 2008 18:46:04 GMT -5
John Lennon was the undisputed leader of the Beatles. By the late 1950s, he was a profane and brawling street youth. He shoplifted, abused girls, drew obscene pictures, lied “about everything,” despised authority, and was the ringleader of a group of rowdies. The young Lennon was also very cruel. He tried to frighten old people and made fun of those who were crippled or deformed. The new music called rock & roll fit his licentious lifestyle. Later Lennon described himself as “a weird, psychotic kid covering up my insecurity with a macho façade” (Giuliano, Lennon in America, p. 2). The other Beatles were also juvenile rowdies, if not outright delinquents. Even as a young teenager, Paul McCartney “became about the most sexually precocious boy of his year.” Paul also stole things and drew dirty pictures. They rebelled against their fathers and other authority figures. Ringo’s first job was as a bartender on a ferryboat. He was also a thief and a truant during his youth. Even George Harrison, the “only one whose family background was normal and undramatic,” rebelled against the way his father wanted him to act and dress. He later testified: “Going in for flash clothes, or at least trying to be a bit different … was part of the rebelling. I never cared for authority” (Hunter Davies, The Beatles, p. 39). Harrison was in frequent trouble at school. When they began playing together in bands in their teenage years, they played in wicked places such as strip joints. They testified that they “got drunk a lot” and “had a lot of girls” (The Beatles, p. 77).
Post by imnotallenhoskins on Aug 31, 2008 18:48:58 GMT -5
According to The All Music Guide, The Beatle's Sgt. Pepper album, "will forever be known as the recording that changed rock & roll". Time magazine said, Sgt Pepper's was "drenched in drugs." (Time, Sept. 26, 1967, p.62)
The cover of Sgt. Pepper's showed the Beatles with a background of, according to Ringo Starr, people "we like and admire" (Hit Parade, Oct. 1976, p.14). Paul McCartney said of Sgt. Pepper's cover, ". . . we were going to have photos on the wall of all our HEROS . . ." (Musician, Special Collectors Edition, - Beatles and Rolling Stones, 1988, p.12)
One of the Beatle's heros included on the cover of Sgt. Pepper's was — the infamous Aliester Crowley! Most people, especially in 1967, did not even know who Crowley was — but the Beatles certainly did.
The Bealtes apparently took Crowley's teaching very serious — Beatle John Lennon, in an interview, says the "whole idea of the Beatles" was — Crowley's infamous "do what thou wilt":
"The whole Beatle idea was to do what you want, right? To take your own responsibilty, do what you want and try not to harm other people, right? DO WHAT THOU WILST, as long as it doesn't hurt somebody. . ." ("The Playboy Interviews with John Lennon & Yoko Ono", by David Sheff & G. Barry Golson, p. 61) "They're COMPLETELY ANTI-CHRIST. I mean, I am anti-Christ as well, but they're so anti-Christ they shock me which isn't an easy thing." Derek Taylor, Press Officer for the Beatles (Saturday Evening Post, Aug. 8, 1964).
"Jesus El Pifico, a garlic-eating, stinking little yellow, greasy fascist bastard catholic spaniard." (John Lennon, A Spaniard in the Works, p.14)
"Christianity will go, it will vanish and shrink. I needn't argue about that. I'm right and will be proved right. . . .We're more popular than Jesus now." John Lennon (San Francisco Chronicle, April 13, 1966, p.26)
Post by imnotallenhoskins on Aug 31, 2008 18:58:47 GMT -5
The Beatles were satanists that had made a pact with the devil, and the bill had to be paid to the coven. Every band that has made a pact with satan has had a member prematurely die. Rolling Stones, Led Zeppelin, Beatles, etc. In an interview with Barbara Walters, Lennon assassin Mark David Chapman clearly demonstrated that he was a satanist. In other words he was an errand boy collecting the payment for satan’s bill. He would then go on to shoot Beatle John Lennon to death.
"Alone in my apartment back in Honolulu, I would strip naked and put on Beatles records and pray to Satan to give me the strength. I prayed for demons to enter my body to give me the power to kill" (cited by Evangelist Richard Ciarrocca, Observations, Dec. 1990).
“In his book, The Ultimate Evil, investigator-author Maury Terry writes that between 1966 and 1967, the Satanic cult, the Process Church, "sought to recruit the Beatles.
The Beatles' album was dedicated to satanist Aleister Crowley. It was released 20 years, nearly to the day, after Crowley's death in 1947. The title song with the lyrics, "It was twenty years ago today..."
Crowley was born in 1875 and was called the "Great Beast." He was known to practice ritual child sacrifice regularly, in his role as Satan's high priest or "Magus." Crowley died in 1947 due to complications of his huge heroin addiction. Before dying, he succeeded in establishing Satanic covens in many U.S. cities including Hollywood. Anger, like Crowley, is a Magus, and appears to be the heir to Crowley. Anger was seventeen years old when Crowley died. In that same year, 1947, Anger was already producing and directing films which, even by today's standards, reek of pure evil.” - www.geocities.com/mmiddleton87/
A key link between the Beatles and the Process Church is Kenneth Anger, a follower of the "founding father" of modern Satanism. Anger, born in 1930, and a child Hollywood movie star, became a devoted disciple of Crowley.
The movie Rosemary's baby was filmed in the Dakota were John Lennon was shot to death. It also appears that John Lennon knew the director personally. “The Director of Rosemary’s Baby was Roman Polanski. (At a party in California in 1973, Lennon ‘went berserk, hurling a chair out the window, smashing mirrors, heaving a TV against the wall, and screaming nonsense about film director Roman Polanski being to blame’ - Giuliano)
It’s also interesting to note that when the Beatles went to India to see the Yogi, John Lennon took along Mia Farrow star of the movie Rosemary’s Baby. It would appear that birds of the same coven flock together.
Did this nobody Director Roman Polanski make a pact with the Hollywood coven in order that he be given a very choice script that would make him a successful film director? So what is the price for fame in the underworld? It is the killing of your baby! This fact is even stressed in the movie Rosemary's Baby. In the movie, the coven demanded Rosemary's baby in return for her husband's success in Hollywood. It was an amazing coincidence that the film had a plot that would be similarly played out a year later - Polanski's pregnant actress/wife Sharon Tate would be murdered by Charles Manson's followers. Susan Atkins one of the killers stated that they wanted to remove the baby from Polanski's murdered wife Sharon Tate, but they ran out of time and had to flee the murder scene.
Was the death of Roman Polanski's baby a pre-payment for an Academy Award nomination for Polanski's for Best Adapted Screenplay. This movie became a critically-acclaimed and a commercially successful film. Director Roman Polanski was now on his way to the top of the heap of success.
Weeks before Lennon's death, on his latest album there was a song by Yoko Ono titled Kiss Kiss Kiss. When played backwards one can hear Yoko say, "I shot John Lennon." This is the same album that Lennon's killer John Chapman listened to over and over again! Was Chapman under mind control induced by the album? Mind control plays a very important role in satanism. It is no coincidence that Sirhan Sirhan who murdered Bobby Kennedy was very much involved with hypnosis and satanism. Just like Chapman and Jack Ruby (who assassinated John Kennedy), he claims to have no memory of what he did.
Now enter another mind control victim by the name of Charles Manson a satanic bill collector. His followers saw to it that Roman Polanski's wife was killed and would also attempt to cut out the baby. In the movie Rosemary’s Baby, it is stressed that there is power in babies blood. Could this be the reason why Sharon Tate’s baby was almost cut out of the womb by Susan Atkins Sadie Atkins not only wanted to remove the baby, but she also wanted to take out the eyes of the other murdered people, squash them against the walls, and cut off their fingers.She stated, "We were going to mutilate them, but we didn’t have a chance to."
Rosemary The main character in the movie and was to have her baby taken away had the nickname "Ro" short for Rosemary. I wonder what Roman Polanski's nick name was? Was it Ro? By the way, magicians wands are made from the wood of holly trees, thus we have Hollywood, and stars are the points of light that shine forth Lucifer's occultist wisdom.
Now that we know Mark Chapman and Charles Manson were receiving messages from Beatle albums, but let’s take it even further. Remember the Beatles White Album that Charles Manson got his murderous orders from.
On the album there is a song called Sexy Sadie. Well it turns out that this was the nickname of Susan Atkins. Now “Sadie Mae Glutz was the alias given to the Family member Susan Atkins by Manson even before the appearance of the White Album song 'Sexy Sadie!'" -http://www.phinnweb.com/livingroom/rosemary/
It was Sadie's testimony in court that brought an end to the Manson family. Now read the lyrics below from the Beatles song Sexy Sadie.
Susan Atkins "Sexy Sadie what have you done"
Sexy Sadie Beatles “White album” Year 1968
Sexy Sadie what have you done You made a fool of everyone You made a fool of everyone Sexy Sadie ooh what have you done.
Sexy Sadie you broke the rules You laid it down for all (the court) to see You laid it down for all to see Sexy Sadie oooh you broke the rules.
One sunny day the world was waiting for a lover She came along to turn on everyone Sexy Sadie the greatest (Manson killer)of them all.
(Susan Atkins was a sexual lover of the Manson family)
Sexy Sadie how did you know The world was waiting just for you The world was waiting just for you Sexy Sadie oooh how did you know.
Sexy Sadie you'll get yours yet However big you think you are However big you think you are Sexy Sadie oooh you'll get yours yet.
Susan Atkins often bragged and boasted.
We gave her everything we owned just to sit at her table Just a smile would lighten everything Sexy Sadie she's the latest and the greatest of them all.
She made a fool of everyone Sexy Sadie.
However big you think you are Sexy Sadie. Brackets by author
Another nickname of Susan Atkins was Sadie Mae Glutz
Maggie Mae (Written by Lennon/McCartney/Harrison/Starkey) Album “Let it be” Year 1970
Oh dirty Maggie Mae they have taken her away And she never walk down Lime Street any more Oh the judge he guilty found her For robbing a homeward bounder That dirty no good robbin' Maggie Mae To the port of Liverpool They returned me to Two pounds ten a week, that was my pay.
Beatles “Let It Be” Album May 8th 1970
Susan Atkins aka Sadie Mae Glutz
(Sexy) Sadie (Dirty Maggie Mae) Glutz (Manson's very *friendly* person?). Well "they have taken her away And she'll never walk down Lime (light) Street anymore Oh the judge he guilty found her..."
Speculation: Could the above lyrics also be a metaphor for black mail?
So why was Sharon Tate chosen to die. My feeling is that Roman Polanski made a pact with the Hollywood coven to exchange his child for his own success and fame. He was a unknown movie director until he was handed a script that would make him an instant success. So why give a major script to a basically unknown and un-established director? Why is because of his sacrificial offering of his child that would have to be made in the future. Charles Manson would be the grocery clerk coming for payment for a bill.
Sadie had stated that Sharon Tate had been the last to die because, "She had to watch the others die." By all accounts, Tate died in excruciating fear and agony. Bugliosi gives Atkins’ account: she was holding Sharon Tate at the time and, “Tex came back and he looked at her and he said, ‘Kill her.” And I killed her... And I just stabbed her and she fell, and I stabbed her again. I don’t know how many times I stabbed her...” Sharon begged for the life of her baby, but Atkins told her, “Shut up. I don’t want to hear it.”
“Before he killed him, Charles “Tex” Watson told Voytek Frykowski: ‘I am the Devil and I am here to do the Devil’s business.’” Months later at the trial, Manson’s “disciples” were said to have been utterly under his power.
Sharon Tate's unborn baby, killed by the Manson family, was named Paul Richard Polanski. It was a male child.
Beatles often stayed at Tate residence (?) In the famous 1970 Rolling Stone interview, Lennon suggested that he, George Harrison and Ringo Starr took their second LSD trip at Doris Day’s house in California while touring with the Beatles. He may have been referring, unwittingly, to 10050 Cielo Drive, Bel Air, Los Angeles, California, the house where Sharon Tate and four others were murdered. As previously stated, Doris Day’s son, Terry Melcher, had allowed Roman Polankski and his wife, Sharon Tate, to take over his unexpired lease about six months prior to the murders.57 Here is what Lennon said about his first and second experiences with LSD:
A dentist in London…laid it [first LSD pills] on George, me and our wives [Cynthia Powell Lennon and Patty Boyd Harrison] without telling us at a dinner party at his house [in London]… And then, well, we just decided to take it again in California…We were on tour, in one of those houses, like Doris Day’s house or wherever it was we used to stay. And the three of us took it. Ringo, George and I. I think maybe Neil [Aspinall, a roadie]. And a couple of the Byrds…[David] Crosby and the other guy, who used to be the leader…[Roger] McGuinn. I think they came round, I’m not sure, on a few trips.58
Lennon’s memory of his second LSD trip was a bit fussy, but he mentioned some interesting people and places: Doris Day’s house, the Byrds. Earlier I mentioned that Terry Melcher produced the Byrds’ first two albums. As stated before, Melcher’s mother is Doris Day. Sharon Tate and her four companions were killed at a house in LA where Melcher had lived six months earlier. It might have been owned by Melcher’s mom, or maybe Lennon knew she was connected with the house somehow, so he referred to it as Doris Day’s house. Not only does Lennon unwittingly suggest that he and two other Beatles—George and Ringo—took their second acid trip in the house where Sharon Tate was murdered, he further intimates that the Beatles stayed at that house quite often while touring California. Here is the key statement again: "We were on tour, in one of those houses, like Doris Day’s house or wherever it was we used to stay." The words "wherever it was we used to stay" describe a place the Beatles stayed at frequently while on tour.
John Lennon with his killer Mark Chapman in background
John Hinkley who attempted to assassinate President Ronald Reagan "followed as exactly as he possibly could EVERY SINGLE MOVE that Mark David CHAPMAN had made, in the days before CHAPMAN murdered John Lennon.
Even MORE bizarre: at the time of their respective arrests following both shooting incidents, John Hinckley AND Mark David Chapman were each carrying on their person a paperback copy of the J.D. Salinger novel, ’CATCHER IN THE RYE.’ (AS did the MK-Ultra mind-controlled assassin Jerry played by Mel Gibson in the surprisingly revealing movie Conspiracy Theory.)
J.D. Salinger, certainly a gifted author, had SUBSTANTIAL and enduring ties to the U.S. intelligence community; in particular, the CIA. Was the book originally intended to be a mind-control programming tool? It's hard to say, but not inconceivable.
SO: Hinckley traced Chapman's footsteps, as it were, in an incredibly eerie AND incredibly REVEALING, scripted tableau; which culminated, as it did with Chapman, in mind-controlled Manchurian Candidate assassin Hinckley shooting his prey on the New York City streets.
Which indeed, brings up yet a FURTHER point. Hinckley FIRST CAME to New York WELL BEFORE his attempt to assassinate Reagan, in order to prepare himself for his assigned role by imitating Chapman's moves and actions of a few months before.
SO: HOW did Hinckley KNOW, several weeks BEFORE-hand, that Reagan was going to be at the place in New York City were Hinckley would shoot him, AND the DAY and TIME Reagan would be there??
SOMEBODY on the "INSIDE," who knew Reagan's schedule some time in advance, positioned Hinckley in New York well before the date of the attempted assassination of Reagan.
Somebody like George BUSH, Sr., maybe? Trying to get a jump on taking over as President? Or, maybe just sending ol' Ronnie a VERY strong, clear message about who the "boss" really was... Written by NewsHawk
Beatle member George Harrison was the next to die and died from cancer. In the murky world of the occult there are many convenient deaths due to cancer. The occult bill collector had already come once in a previous failed attempt to kill Harrison with a knife. I find this rather curios when comparing real life to the Beatle movie called Help. In the movie Ringo is given a ring that makes him the target of a cult which wants to sacrifice him! They continually chase after him with a knife!
SANTA MONICA, December 30, 1999 -- Another Beatle victimized by violence.
Ex-Mop Top George Harrison was stabbed at his London-area home today by a knife-wielding intruder, reports say. Harrison, 56, was stabbed once in the chest before fending off the attacker. His wife, Olivia, suffered minor head injuries in the attack, but did not require hospitalization….The attack, which reportedly took place sometime around 3:30 a.m. London time, was said to have shocked residents of the quiet, upper-class community of Henley-On-Thames. Harrison's estate was thought to be particularly well guarded. It reportedly featured 24-hour security, patrol dogs and barbed wire fencing. British authorities said they were investigating burglary as a possible motive.
A 33-year-old man -- a resident of the Beatles' own Liverpool -- was arrested and booked on suspicion of attempted murder.
Harrison's stabbing comes 19 years after fellow ex-bandmate John Lennon was shot and killed outside his New York apartment by obsessed fan Mark David Chapman. Jim Bartoo, Hollywood.com
Occultists often use so called sacred numbers to bring them power. Sacrifices are often made on the bases of these numbers. Prime sacred numbers are 3, 6, 7, 9, 11. Sacred multiples are 19, 21, 33.
Note the year that Harrison’s attack took place. It was in 1999. Inverted with the one left out you have 666, the most sacred number of all. He was 56 years old. 5+6=11 which is a very sacred number representing the antichrist known as the 11th horn. Note too that he is stabbed by a man who just happens to be 33 years old. This too is a very sacred number since it is 3X11. He was also attacked around 3:30 am (33).
Another interesting event was that Prime Minister Chretien of Canada was attacked by a young man with knife too. The man somehow got through the intense home security and found his way in to into the Prime Ministers home late at night. This murder attempt failed.
My feeling is that that the Beatles were members of the same Hollywood occult as Roman Polanski. The Movie Rosemary’s Baby was a future template of what was going to happen to Polanski’s wife Sharon Tate. Also the songs recorded by the Beatles seem to indicate that they were mind control. I believe that songs like Helter Skelter, which Charles Manson felt he got his orders to kill from, were recorded by the Beatles for that express purpose.
As in the movie Rosemary’s Baby, I believe Sharon Tate was manipulated and set up by all the people around her, and those she loved and trusted including her own husband. She was the sacrifice to satan for all Polanski’s success. I for one was not fooled by Polanski's sparse tears during interviews.
Interesting to note that Mia Farrow who played Rosemary allegedly feared she would be the next victim of the murder spree. In her 1968 excursion to India with John Lennon of The Beatles, John wrote 'Dear Prudence' (also a song on White Album) for Mia Farrow's younger sister.
Mark Chapman was the name of Lennon's killer - Winifred Chapman was the maid who had first found the bodies at 10050 Cielo Drive.
-Roman Polanski had done a prior movie called, Knife in the Water 1962
-George Harrison attacked by man with knife.
-All through the movie Help, Beatle Ringo Star is chased by religious fanatics that are armed with a knife.
-Susan Atkins was going to remove Sharon Tate's baby with a knife.
-Susan Atkins was a member Anton Szandor LaVey's Church of Satan.
-Nick names of Susan Atkins Sadie Mae Glutz, Sexy Sadie, Violet Sharon King, Donna Kay Powell.
-In the name (Charles) Manson, if you remove the "n" you are left with the word Mason.
-The Beatles White album was recorded between May 30th 1968 and October 13th 1968 and released Nov 22, 1968. November 22 was the fifth anniversary of the John F. Kennedy assassination.
-Actress friend of John Lennon Mia Farrow was the star of the movie Rosemary's Baby which was filmed in the the Dakota apartment block where John Lennon lived and was killed.
Theatrical Release: Rosemary’s Baby June 12 1968
June's numeric value is 6 (the sixth month). Interesting to note too is the fact that 12 = 6+6. So 12 is six twice. You are then left with 666, (satan in the flesh). "There is no comfort in the coven of the witch Some very clever doctor went and sterilized the pregnant dog (Sharon Tate?) And the only man of energy, (Manson?) yes the *revolution’s pride (Manson's revolution?) He trained a hundred women (Manson's women?) just to kill an unborn child.(Sharon Tate's baby?) " —Leonard Cohen- “No Diamonds in the Mine” Brackets mine.
*Charles Manson believed in a revolution between blacks and whites which he called "Helter Skelter" after a Beatle song by the same name.
Sharon Tate Date of birth 24 (=6) January 1943, Dallas, Texas, USA Date of death: 9 August 1969
-Note the three 9s in this date. Inverted it becomes 666! The number of Rosemary's baby.
-One year prior to the death of Sharon Tate, the Beatles White album is released on November 22, 1968. On the album John Lennon sings a song about Susan Atkins being implicated in something that will not happen until one year later in the future.
-It would appear that John Lennon personally knew Susan Atkins a year before she murdered Sharon Tate. She murdered Sharon Tate because of orders from Charles Manson who in turn heard his orders from the Beatles White album. They were secret messages that only Manson could perceive. He seemed to be under mind control with the album acting as a vehicle.
-The Beatles were created and put together by Tavistock a mind control center in America.
An outstanding example of social conditioning to accept change, even when it is recognized as unwelcome change by the large population group in the sights of Stanford Research Institute, was the "advent" of the BEATLES. The Beatles were brought to the United States as part of a social experiment which would subject large population groups to brainwashing of which they were not even aware.
Tavistock and its Stanford Research Center created trigger words which then came into general usage around "rock music" and its fans. Trigger words created a distinct new break-away largely young population group which was persuaded by social engineering and conditioning to believe that the Beatles really were their favorite group. All trigger words devised in the context of "rock music" were designed for mass control of the new targeted group, the youth of America. www.illuminati-news.com/rock_and_mc.htm
It is obvious that Charles Manson was receiving "trigger words" from the White album. This is the same album that Mark Chapman listened to before he murdered John Lennon. Ironic is it not?
-Years later with President Ford in the White house, then Vice President Nelson Rockefeller was just a heartbeat away from becoming leader of the free world. With Rocky as Vice President, if anything should befall Ford at that time, he would instantly become President. Well, time to send in Manson's followers once again. One of Manson's followers Lynette "Squeaky" Fromme steps out in a failed assassination attempt against President Ford. (September 5, 1975) Two weeks later another woman Sara Jane Moore attempts another assassination with a handgun. (September 22, 1975)
-30 Dec 1999 Paranoid schizophrenic Michael Abram breaks into the home of George Harrison and stabs him several times in the chest. Voices in Abram's head told him that the former Beatles were witches.
In his book, The Ultimate Evil, investigator-author Maury Terry writes that between 1966 and 1967, the Satanic cult, the Process Church, "sought to recruit the Beatles.
A key link between the Beatles and the Process Church is Kenneth Anger, a follower of the "founding father" of modern Satanism, Aleister Crowley. Anger, born in 1930, and a child Hollywood movie star, became a devoted disciple of Aleister Crowley.
Crowley was born in 1875 and was called the "Great Beast 666." He was known to practice ritual child sacrifice regularly, in his role as Satan's high priest or "Magus." Crowley died in 1947 due to complications of his huge heroin addiction. Before dying, he succeeded in establishing Satanic covens in many U.S. cities including Hollywood. Kenneth Anger, like Crowley, is a Magus, and appears to be the heir to Crowley.
the Beatles' album was dedicated to Satanist Aleister Crowley. It was released 20 years, to the day, after Crowley's death in 1947, and its title song began with the lyrics, "It was twenty years ago today..." The album's cover featured a picture of Crowley
Drum rolls generally were not a required skill in pop music circa 1962. Nor was reading notation.
Drum rolls are one of the most basic techniques in drumming. Any qualified drummer should know it. And if reading notation was not a required skill in "pop music" circa 1962, that doesn't say much for pop music does it? If the Beatles couldn't read musical notation, it kind of blows the whole "Beatles are musical geniuses" argument out of the water.
Post by imnotallenhoskins on Sept 1, 2008 10:50:27 GMT -5
Imagine first appeared on the Billboard chart on September 18, 1971, reaching #1 and spending a total of 30 weeks. "Imagine" was John Lennon's second major release apart from the Beatles. Released on Sept. 9, 1971 (US) and Oct. 8, 1971 (UK), it has remained John's most commercially successful album. It was recorded primarily in John's home studio which turned out to be the last time he would ever record in England. The first tract on the album, Imagine, would become Lennon's legacy to a world living in rebellion against God. In the song, Lennon paints an "unrealistic" picture of life in the minds of his listeners. He sees a world without heaven or hell, without religion. He sees a world without countries, without war.
Though such a "dream" may seem admirable to many people, Lennon's dream CLEARLY requires an abandonment of God and His Word. The Bible has divided more people than any other book ever written. Why is this? It's simply because there is a heaven and hell John. There is a malicious devil who works relentlessly to DECEIVE us (2nd Corinthians 4:4; 11:3). There is a Loving God in heaven Who has provided us with a plan of redemption through faith in Jesus Christ. Humanity is sinful (Isaiah 64:6; Romans 3:10,23). No matter how much we try to fulfill Lennon's dream, it WILL fail because humans are wicked, dirty, rotten, conniving, lying, stealing, murderous, hell-bound, sinners! Whether you believe the Bible or not, you CANNOT deny histories' facts. If history has taught us only one thing, it has taught us that we do NOT learn from history. The Bible describes the woeful condition of man like no other book.
Post by imnotallenhoskins on Sept 1, 2008 10:57:50 GMT -5
LENNON AND REVOLUTION. The Beatles promoted the revolutionary overthrow of authority and communism in songs such as “Revolution No. 9,” “Working Class Hero,” Back in the USSR,” “Power to the People,” “Sometime in New York City,” “Give Peace a Chance,” “Bloody Sunday” (which called British police “Anglo pigs”), “Attica State” (“now’s the time for revolution”), “Angela” (which glorified communist Angela Davis), and “Piggies.” Lennon performed at anti-America rallies and called upon America to leave Vietnam to the communists. He said: “I really thought that love would save us. But now I’m wearing a Chairman Mao badge, that’s where it’s at. I’m just beginning to think he’s doing a good job” (Lennon, cited by Wenner, Lennon Remembers, p. 86). Lennon gave the violent Students for Democratic Society (SDS) $5,000, hoping it would assist those who were being sought by police for bombings. Though Lennon later characterized his radicalism as “phony” and motivated by guilt for his wealth (Newsweek, Sept. 29, 1980, p. 77), “its effect was deadly real” (Noebel, p. 78).